9/20/2023 0 Comments Tv tropes toy story 3![]() So Lasseter went to Disney and asked for more time to fix the film, but Disney declined. There was no way it would be ready to be released less than one year later. The movie needed extensive rewrites, additional sequences, and alterations to nearly every scene in the film. ![]() Despite already being well into the animation process, the story of the film wasn’t working. After directing two back-to-back films, Lasseter was ready to take a much needed break, but when he returned home following A Bug’s Life’s promotional tour he found that Toy Story 2 was far from what it needed to be. While all this shake-up was happening on Toy Story 2, John Lasseter was deeply embroiled in the final stages of Pixar’s sophomore film, A Bug’s Life. It turns out that visual fidelity was not the only thing Pixar had higher standards than Disney on. ![]() Pixar, god love ‘em, was incapable of releasing a film that, at least visually, fell below the standard they’d set on the first Toy Story, meaning that, in order for Disney to turn a profit, Toy Story 2 would need to screen in cinemas. This is true inasmuch as you consider the word “good” to be synonymous with “expensive.” Even though Disney turned a huge profit on junk like The Return of Jafar, they were only able to amass such a profit because the movie cost approximately eight dollars and thirty-six cents to produce. The oft-cited reason for this change is that, after looking at the story reel, Disney felt the film was too good to be relegated to the direct-to-video trash heap. By the fall of 1997, when story reels of the in-progress film were screened at Disney, the decision was made to promote Toy Story 2 to a full, theatrical release while maintaining the already agreed upon release date of Thanksgiving, 1999. There was a bit of back and forth over whether Toy Story 2 would be computer animated at Pixar or hand animated at Disney’s DTV sweatshop, but eventually it was settled on the former choice and Ash Brannon, a directing animator who had worked on the first film, was elected to helm the sequel. In the wake of Toy Story’s landmark success, that’s just what Disney planned to do for the follow up. It didn’t matter if they were good (they aren’t) or even finished ( I mean…), as long as they could fill a display near the checkout stand of your local supermarket, they were deemed good enough to release. Throughout the remainder of the ‘90s and well into the 2000s, Disney commissioned dozens of these direct-to-video knockoffs of their feature animated canon made on television budgets (if even that). This frugal sequel to Disney’s 1992 hit Aladdin was made for roughly one-tenth of the original film’s budget and released straight to video where it proceeded to turn a profit of more than $100 million. Let the record show that I am being profoundly generous by referring to this as a “film.” The “film” in question is The Return of Jafar. The fact, then, that it turned out to be perfect is nothing short of a miracle.īut before we can talk about Toy Story 2, we have to go back to 1994 – a full year before the original Toy Story was released – and look at another film. After all, a return visit to a familiar setting and well-loved characters seems like a no-brainer, especially when compared to pitches like “ what if a rat wanted to be a gourmet chef?” or “ what if an elderly man came to terms with his wife’s death by flying his house to South America using thousands of balloons?” The reality, though, is that, from the beginning Pixar’s first sequel was plagued with problems and the film as we now know it was effectively made in just nine months. Of Pixar’s initial ten films, one could understandably accuse Toy Story 2 of being the safest bet of the bunch. What’s more, these films sprung to life from original, often unusual stories…save for one. No other movie studio in history has a track record that can compare to Pixar’s golden age, and some filmmakers spend their entire careers hoping to curate a similarly spotless filmography (here’s looking at you, Quentin). Ten terrific films – critically lauded, commercially successful, instantly iconic. Between the years of 19, Pixar created an unprecedented and unmatched string of successes. ![]()
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